new year paintings

Folk decorative art mainly includes the paper-cut , New Year paintings , shadow play , puppet and various folk patterns .

民间装饰艺术主要包括剪纸、年画、皮影、木偶以及各种民间图案等。

There appeared a variety of forms when Farming and Weaving Pictures was dispersed among people , and New Year Paintings was one of the important .

耕织图在民间传播的过程中，其载体呈现多样化的现象，年画是其重要的民俗化与民间化的形式之一。

Screen Printing : Lunar New Year paintings , woolen decorations and hot-stamping .

丝印：年画、绒布挥春及烫金印刷等。

Now the tradition of pasting New Year paintings is still kept in rural China , while it is seldom followed in cities .

现在中国农村仍然保持着贴年画的传统，而在城市里很少有人贴年画。新春伊始，第一件事便是贴门神、对联。

While nowadays when traditional woodcut technology of Yangliuqing New Year Paintings increasingly becomes consumption focus , it is undergoing a complex transformation accordingly .

在当前以杨柳青年画传统木版技术为消费核心的文化语境中，杨柳青年画木版技术正在发生着复杂的技术转型。

Red paper-cuttings can be seen on window glass and brightly colored New Year paintings with auspicious meanings may be put on the wall .

在窗户玻璃上可以看到红色剪花和在墙上可以挂具有吉祥含义的颜色鲜艳的年画。

Chinese traditional New Year paintings of this ancient folk art , now get attention very little , but this does not mean that New Year paintings art has no artistic vitality .

中国传统年画这一古老的民间艺术，如今得到的关注非常之少，但这并不代表年画艺术已经没有了艺术生命力。

Organizers disposed the old New Year paintings for the interest of the new ones , but also loosed restrictions on themes , types and other indicators for new New Year paintings as a reaction to market demands .

组织者为新年画利益处理旧年画，却也为回应市场需要不断放宽新年画的的题材、样式等各项指标。

Given the grand development situation in the history , the Yangliuqing New Year paintings themed on Dream of the Red Chamber , a bright pearl of folk fine arts , are worthy of learning for modern folk fine arts .

杨柳青《红楼梦》年画作为民间美术中一颗璀璨的明珠，它在历史上的盛况应该成为现代民间美术学习的方向。

This essay the origin and development of Planks New Year paintings , the feature of its culture , representative works , and the excavation and conservation status , more of the cultural industry vision and other problems will be researched and explored .

本文就杨柳青木版年画的起源与年画产业的发展；年画文化的特点；年画文化中的代表作品；年画文化的挖掘与保护状况；年画文化产业化之构想等问题，进行调研与探讨。

Since then , a large-scale of excavation , protection , use and promote of Planks New Year Paintings culture has been opened the curtain . The golden aged culture of Planks New Year Paintings with its distinctive character among the forest of the world culture .

从此，一个规模宏大的挖掘、保护、利用和弘扬年画文化的大幕徐徐拉开，一种以年画为载体的文化，将以吉庆这一的独特品格跻身世界文化之林。

The fifth chapter sets forth the inspiration countermeasures of the current research from the points of cultural globalization and its influence on folk culture , the living conditions of folk new year paintings , and the realization of the folk artists ' harmonious development in future cultural society .

第五部分主要从文化全球化及其对民间文化的影响、民间年画在全球化语境下的生存现状以及民间艺人在未来文化社会中和谐发展三方面重点阐述对民间艺人杨洛书研究的启思与对策。

With the creation of board carvings , New Year paintings cover a wide range of subjects . The most famous ones are Door Gods , Surplus Year after Year , Three Gods of Blessing , Salary and Longevity , An Abundant Harvest of Crops , Thriving Domestic Animals and Celebrating Spring .

随着木质雕刻品的出现，年画包含了更广泛的主题，最出名的就是门神，三大神-福神薪神和寿神，庄稼丰收，家畜兴旺，和庆祝春节。

This research is conducted through specific experiences of four groups relevant with the new New Year paintings : the creators , publishers , organizers and spectators .

全文以新年画创作者、出版发行者、组织者、观赏者四个群体的具体体验展开。

Publishers participated in the manufacturing and issuing of new New Year paintings out of political demands ; they also continued to issue the old New Year paintings for profits .

出版家为政治要求参与新年画制作、发行，也为商业利益继续发行旧年画。

Then , an investigation is made concerning the publishing , issuing and sales of the new New Year paintings , so that the struggles of participants in face of different interests are reflected .

而后，对新年画出版、发行、销售情况的考察体现参与者在不同利益诉求中的艰难挣扎。

Firstly , the origin of the new New Year painting cause , an introduction to the New-Year-painting Event , questions proposed through the event and the research status quo of new New Year paintings are introduced .

首先：介绍新年画工作缘起、年画事件概况、年画事件提出的问题，以及学界新年画研究现状。