musical creation

美 [ˈmjuːzɪkl kriˈeɪʃn]英 [ˈmjuːzɪkl kriˈeɪʃn]
  • 网络音乐创作
musical creationmusical creation
  1. Historical Observation on Modern Chinese Musical Creation and Cultural Depth

    中国近现代音乐创作和文化底蕴的历史观照

  2. New Analysis on the Education of Amateur Musical Creation

    业余音乐创作教育新析

  3. Rational Comparison : Imagination Between Musical Creation And Teaching

    理性比较:音乐创作与教学中的想象

  4. The Aesthetic Functions of " General Perception " in The Musical Creation and Appreciation

    谈通感在音乐创作与欣赏中的审美作用

  5. Tan Dun Music and Its Enlightenment on Chinese Musical Creation

    谭盾音乐及其对中国音乐创作的启示

  6. Musical creation was the quickest developed teaching field of child music education in the 20th century .

    音乐创造是20世纪儿童音乐教育发展最受重视的的教学领域之一。

  7. On the Musical Creation of Film

    论电影音乐创作

  8. Therefore the application of multiple-voice on most musical creation , it almost adopts the ways of European harmony .

    于是在多声部音乐的创作中所运用的和声,大多是欧洲大、小调体系的和声方法。

  9. Exuding a fresh national flavor , these works showed the continued vivacity of musical creation in China .

    这些舞剧、音乐更具有崭新的鲜明的民族个性,显示着音乐创作的勃勃生机。

  10. About the Positive Roles of the Caption Titles of the Chinese Instrumental Music on Musical Creation , Performance and Appreciation

    民族器乐曲标意性标题对创作表演和欣赏的积极作用

  11. Participants will experience such extraordinary art education by going through street dance learning , musical creation process , art workshop at schools , etc.

    让参加者透过街舞表演、音乐剧的创作参与、校内工作坊等,以不同角度认识这种新式艺术型式。

  12. The imagination of musical creation is the imagination that the composer has created with spontaneity and creativity .

    音乐创作的想象,是作曲家带有自发性的富有创造性的想象;

  13. Modernistic erhu works have embodied the new pattern of traditional musical creation , which can bring the brand-new audition feeling to people .

    现代派的二胡作品给人们带来了全新的听觉感受,体现了民族器乐创作的新格局。

  14. Wang lisan ( 1933 - ) was a contemporary famous composer in china . He is good at piano musical creation .

    汪立三(1933&)是中国当代著名的作曲家,主要以创作钢琴曲见长。

  15. However , his great contributions and historical status in musical creation had never been widely accepted since he was dead . He was rarely acknowledged by people at that time .

    在他死后,他的音乐很快被忽视,他在音乐创作中的杰出贡献和历史地位在死后也一直未能得到广泛认可,以至于大多数人都很少知道他。

  16. In studying Li Shutong 's musical creation and musical thinking , we must trace back to the publication of Collection of Songs from Traditional Chinese Culture and Minor Music Magazine .

    研究李叔同的音乐创作和音乐思想,必须追溯《国学唱歌集》的出版和《音乐小杂志》的创刊。

  17. The course that the musical creation of erhu has followed for nearly a century clearly embodies the collision and intermingling of the traditional culture with the Western musical culture .

    近一个世纪以来二胡音乐创作走过的道路,更清晰地体现出传统文化与西方音乐文化的碰撞、交织。

  18. Through the analysis of his piano works , in this part , one can see clearly the style transfer of his piano musical creation from the Japanese style to the Chinese national musical style .

    这一部分通过对他钢琴作品的分析,从中透见其钢琴音乐创作风格由日本音乐风格向中国民族音乐风格的转变。

  19. Liu had been engaged in musical creation more than 30 years , with many nationality , popularity and timely works , he was favorite by masses as a excellent composer .

    刘青已有30多年的音乐创作历程,期间有大量集民族性、通俗性、时代性于一体的优秀作品,是一名深受广大群众欢迎的作曲家。

  20. His works has its reason for a reasonable existence . It has a direct line of succession to the world forward development , and plays an enlightening role to Chinese musical creation path in future .

    谭盾的作品有其合理存在的理由,也是与世界的向前发展一脉相承的,对中国今后音乐创作之路也有着启示作用。

  21. These songs not only artistically record the revolutionary cause and help to memorize the revolutionary history and traditions , but also offer significant experience for the subsequent musical creation and life .

    这些歌曲不仅以艺术的形式记录了伟大的革命事业,帮助人们记住革命的历史与传统,而且为日后的音乐创作和音乐生活提供了深刻的经验。

  22. The first part " Jiang 's life and his musical creation ", reflected Professor Jiang 's life , briefly interpreted his style and musical creation and his position in modern musical history of China .

    第一部分江文也的生平与音乐创作回顾了江文也教授的一生,简略阐述了他的音乐创作风格以及他在中国近现代音乐史上的地位。

  23. After he graduated from the Shanghai Conservatory of Music and stayed as a teacher , he kept on writing in many field and composed a lot of polyphonic musical creation on piano .

    自从他1951年从上海音乐学院毕业并留校任教后,坚持在不同领域不断写作,创作出了诸多复调音乐作品,尤其是复调钢琴音乐作品。

  24. This paper tries to explore the features of romanticism and Russian style in his musical creation , and analyzes the style of his ensemble works through the study of " Elegiac " Piano Trios .

    力图阐述拉赫玛尼诺夫兼具浪漫主义与俄罗斯民族风格的音乐创作特征,并通过对《悲歌三重奏》的分析,阐释其重奏作品的创作风格。

  25. The fourth part " Historical Contribution and significance of Jiang 's piano works ", briefly discussed the historical and realistic values of piano musical creation of Professor Jiang and his position in the piano musical history of China .

    第四部分江文也钢琴作品的历史贡献及意义简要论述了江文也的钢琴音乐创作的史学价值和现实意义及其在我国钢琴音乐发展史上的地位。

  26. In his musical creation , he was insistent the modern techniques of composition and notional content have been in an organic whole to his music , he show the national style on the basic of studying on Western composition theory .

    在创作中,他坚持把西方作曲技法与民族内容融为一体,在学习西方作曲理论体系的同时充分体现了民族特色。

  27. Both in musical creation and piano technique , Paderewski played an active role in promoting the Polish music and the world music development , which made him the other successful musician standing on the international stage after Chopin .

    他在音乐作品创作和钢琴演奏技法方面,对波兰民族音乐乃至世界音乐艺术的发展,起到了积极地作用,当之无愧的成为继肖邦以后,又一位成功站在国际舞台上的音乐家。

  28. Owning a broad genres and a unique style on musical creation , he has composed 26 etudes and made them run through his life , which on the hand reflects the changeful trail of his musical style .

    他的音乐创作体裁广泛、风格独特,二十六首钢琴练习曲贯穿于他一生的创作中,从一个侧面反映出他音乐风格变化的轨迹。

  29. The study of Chinese contemporary musical creation requires not only the research on the diversity of performance pattern and extent , but also on the diversity caused by cultural effect and historical tradition since this diversity might provide the approach of indigenization in prospect .

    研究中国当代音乐剧的创作,不仅要研究表现形式和表露程度的差异,更要研究文化浸淫和历史传统所造成的差异,因为只有这种差异会给本土化提供可能的途径。

  30. In Chapter 2 , I analyze the nationality features in his musical creation from the elements of rhythm , harmony , tune and so on , trying to grasp its outstanding originality on the application of nationality musical elements and techniques .

    在第二章,笔者从旋律、和声、调式等诸多创作因素入手,对丁善德钢琴音乐创作中的民族特性进行了分析,力图把握其创作对民族风格音乐要素的应用及创作手法的独到之处;