Russian formalism

As a kind of theory of literature , Russian formalism has one 's own independent system and system .

作为一种文艺理论，俄国形式主义有自己独立的系统和体系。

Reception aesthetics developed from the theory of Russian formalism .

俄国形式主义文学理论是接受美学的先驱。

An Exploration of the Sources of Errors in Russian Formalism

俄国形式主义文论偏差探源

According to Russian Formalism , literariness is the thing that makes specific works become literary works .

俄国形式主义认为，文学性就是使特定文本成为文学作品的东西。

Russian formalism is mainly literary criticism .

俄国形式主义文论主要是文学批评论。

Russian Formalism literature theory is one of the most influential and dynamic schools of literature in the early 20th century .

俄国形式主义文论是20世纪初期最有影响、最富活力的重要文学理论派别之一。

" Bestrangement " is the core concept of Russian Formalism .

陌生化是俄国形式主义的核心概念。

Russian Formalism in China

俄国形式主义在中国的接受

RUSSIAN FORMALISM LITERATURE CRITICISM AND HEGEL 'S DIALECTICAL FORMALISM & review on the relationship between form and content

俄国形式主义文论与黑格尔辩证形式论&略论内容与形式

However , compared with Russian formalism , New Criticism pays more attention to the semantic features of literary language than its manifestation .

不过，相较于俄国形式主义而言，新批评关注的并不是文学语言的表现形式，而是文学语言的语义特征。

As the representative of the current modern literature and art theory , Russian formalism discourse has an important real significance for current Chinese art theory research .

作为现代主义文艺理论的代表，俄国形式主义的话语对今天中国的美术学研究有着重要的现实意义。

Literariness and Estrangement are the focuses and embodiments of Russian formalism literary theory .

文学性与陌生化是俄国形式主义理论精髓的集中体现。

Material , procedure , and style are made up of the basic conceptive system of the theory of Russian formalism which has two opinions ;

材料、程序、风格，这三个词大体构成了俄国形式主义理论的一个最简括的基本的概念系统。

The Alienation Theory came from Russian Formalism , which is the synonym of Brecht 's theatre theory .

陌生化理论来自于俄国形式主义，是布莱希特戏剧理论的代名词。

Like Russian Formalism , New Criticism also transforms literary problems into language issues , believing that the literary aesthetic lies in the linguistic forms .

与俄国形式主义的理论旨趣相似，新批评也将文学问题转化为语言问题，认为文学审美性在于语言形式。

Beginning with the Russian formalism in the 20th century , theory-based pedantic literary criticism has been dominant .

以20世纪俄国形式主义批评作为发端，学院派文学批评一直占据西方文学批评理论的主导地位。

The Russian Formalism consideres the motif as a discourse type and startes the structural studies in form .

俄国形式主义则将母题视为一种话语类型，从而将母题研究形式化，开了结构形式研究的先河。

The theory on literature study put forward by Russian formalism deeply enlightened the later literary schools , it 's worthwhile to study it well and deeply .

俄国形式主义所提出的研究文学的理论给后起的文学流派以深刻的启迪，值得很好地深入研究。

However , due to the dominant tendency , Russian Formalism does not free itself from the aesthetic on the idea that literature is an autonomous territory .

不过，由于在主导倾向上，俄国形式主义并未走出将文学视为自主性疆域的审美论观念。

This kind of technique surely realizes the de-familiarization claim of Russian formalism , indicating the active pursue to perfect rhetoric of a literature writer .

这种创作手法无疑正实现了俄国形式主义的“陌生化”艺术主张，体现着一个文学写作者对语言修辞的积极追求。

Defamiliarization is the representative theory of Russian formalism , which believes the task of literature is to defamiliarize the familiar perception and language performance .

“陌生化”是俄国形式主义学派的代表理论，认为“文学性”在于使熟悉的事物感知和语言表达陌生化。

First , we need to defend Russian Formalism , while who re-form but do not exclude the meaning . " nonsense poetry " is a good example .

首先我们要为俄国形式主义正名，他们在重形式的同时并没有排斥意义，无意义语诗就是一个很好的例证。

However , this aestheticism can not be considered as a mature formalism , whose theorization would be the work of Russian formalism , New Criticism and structuralism .

形式主义的理论化和科学化的任务是由俄国形式主义、英美新批评及结构主义共同完成的。

At the beginning of 20th century , breaking the tradition , Russian formalism stressed its research on the text in itself , and realized an important turning in the modern literary theory .

20世纪初，俄国形式主义学派打破传统，将研究的重点转向作品本身，形成了现代西方文论的一次重要转折，并对西方文学批评的演变和发展产生了极大影响。

The theory of Russian formalism literature can be found more or less in the reading , readers and works of reception aesthetics as well as in the important theories of literature evolution , etc.

在接受美学的阅读、读者和文本、文学史的演变等重要理论中，都可看到俄国形式主义文学理论的痕迹。

Based on the study of Russian Formalism , Structuralism criticism overcomes the inadequacy of New Criticism limits itself to individual work , thus it emphasizes the structure and Synchronicity of literary language .

结构主义批评在俄国形式主义的研究基础上，克服了新批评局限于个别文本的不足，进而强调文学语言的结构性与共时性。

It inherits the scientific tradition both from the Russian formalism and New Criticism which pay attention to the text analysis , and gives birth to the destruction thought with fallen significance of post-structuralism .

它上承俄国形式主义、英美新批评等注重文本分析的科学主义传统，同时又开启了后结构主义那具有颠覆意味的解构思想。

On the basis of the textual analysis of the novel , V-effect of character depiction from Russian formalism is used to explore the novelty and peculiarity of the depiction of Santiago .

在对小说文本进行分析的基础上，尝试运用俄国形式主义学派的陌生化手法解读桑提亚哥这一人物形象塑造的新颖、奇特之处。

This paper discusses the development of the foregrounding theory including the contributions made to , and the effects posed on this theory by Russian formalism , the structuralism of the Prague School and the British stylists .

讨论了前景化理论的发展历程，其中包括俄国形式主义、布拉格结构主义及英国文体学家对此理论的发展和贡献；

The second ," literariness " and " estrangement " are considered as the core conception of Russian Formalism , but no enough original documents prove that it has been recognized by the Russian Formalists .

其次，文学性和陌生化被视为俄国形式主义的核心概念，但现有的原始文献无法证明它们为俄国形式主义者们所公认。