Funhouse

Analysis of the Postmodernism Narrative Features in Lost in the Funhouse

《迷失在游乐场》中的后现代主义叙事特征

One may sniff traces of that air in the Funhouse .

也许人们可以在开心屋中闻到这些气息。

An Analysis of Metafictional Themes in Lost in the Funhouse

《迷失在开心馆》的元小说主题分析

Even so experimental a book as John Barth 's Lost in the Funhouse is totally absorbed in the problem of what it would mean to write about yourself .

就算约翰，巴思的《迷失在游乐场》这么一部实验小说，也在专注一个问题，就是写关于自己经历的意义。

Remember , this whole story takes place under the aegis of his alienation from himself . He 's thinking about what he 'd like to do in the funhouse .

记住，所有的故事发生在他自己疏离的，状况下，他在考虑在开心馆里他，要做什么。

Part one is a general introduction to the literary career and literary views of John Barth , with a survey of the content and critical responses to his novel Lost in the Funhouse .

第一部分简要介绍了作者约翰·巴思的文学生涯和文艺思想以及小说《迷失在开心馆》的主要内容和研究状况。

If you knew your way around in the funhouse like your own bedroom , you could wait until a girl came along and then slip away without ever getting caught , even if her boyfriend was right with her .

如果你在开心馆中跟自己在寝室里一样熟悉门道，你可以等一个姑娘前来，事后溜之大吉，绝不会被人抓住，即使她男朋友就在旁边。

But metafiction limits itself to the representation of problems concerned with fiction only . The coverage is rather narrow and the aspects it is related to are monotonous , which are the defects of Lost in the Funhouse .

但是元小说局限于表现小说自身，其覆盖面过于狭窄，内容有些单调，这也是巴思这本小说的不足之处。