Chiaroscuro
- 网络明暗对比;明暗法;明暗
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In his photographs unexpected camera angles and dramatic chiaroscuro effects transform the occasional squalor and chaos of the actual events into powerful dream-like images .
照片中特殊的视角和强烈的明暗对比,使这些看似肮脏及混乱的场景和事件变得如梦幻般的震撼人心。
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The thesis has conducted preliminary study on image splicing technology and SIFT matching method , applied my fusing method to image splicing technology and mended splicing aperture and chiaroscuro caused by simple splicing method .
本文对全景图像拼接技术以及SFIT配准方法进行了初步研究,并将本文的融合方法应用到全景图像拼接技术中,改善了简单拼接方法所产生的拼接缝隙和明暗对比。
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Master combines elements of traditional chinese painting with western perspectiv , chiaroscuro , and color schemes .
大师将中国传统的绘画技法与西方的透视法、明暗对照法和颜色组合融为一体。
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The chiaroscuro caused by light radiation is one of the basic element in realistic paintings .
光线照射所产生的明暗对比,是写实绘画语言的基本要素之一。
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Italian High Renaissance painter known for his use of chiaroscuro
以运用阴暗对照法著名的文艺复兴高潮期意大利画家
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A detail of a Rembrandt portrait illustrating the technique of chiaroscuro .
一幅林布兰肖像画的局部显示了明暗对照的绘画技术。
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Caravaggio is famous for his use of chiaroscuro .
卡拉瓦乔以其对明暗对照法的巧妙运用而出名。
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The art of programming is the adept manipulation of data and information & a skill akin to capturing light in chiaroscuro .
编程的艺术在于对数据和信息的熟练处理&类似于在明暗处理中捕捉亮色的技能。
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Chiaroscuro is the painters solution for shaping objects from the darkness , wielding one to conjure the other .
明暗法是画家为了处理物体光影,突出同一物体不同面而采取的一种手法。
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Rembrandt developed a chiaroscuro of light and rich shades of expression , whose paintings are with strange light and full of charismatic .
伦勃朗发展了光线的明暗对比和丰富色调的表达,画面的用光奇特,极具魅力。
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Was it the plasticity or was it the chiaroscuro ?
是可塑性还是明暗处理?
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The complanate expressive form of decorative painting is a kind of painting feature , which weakened the chiaroscuro three-dimensional expression and pay more attention to the complanation effect .
装饰绘画中的平面表现形式是一种削弱明暗立体表现而注重平面化效果的绘画特征。
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Secondly , among all the artistic forms , the external factors of the painting 's form are the physical factors compressing the three - dimensional space and applying the light , the chiaroscuro and the color .
其次,在诸多艺术形式中,绘画形式的外在因素则是压缩了三度空间以及运用光、明暗和颜色的物理因素。
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Many Dunhuang paintings of the sixth century , joined Western chiaroscuro technique to Chinese linear style , the artist generated three-dimensional volume and movement through thickening-and thinning calligraphic brush lines without the help of color or shading .
许多6世纪敦煌壁画将西域的明暗技法跟中国的线条用笔结合起来,画家不借助于色彩和阴影而是通过粗细有致的书法线描展现了他们对体积和运动的三维认识。